Live Fast Die Whenever is the latest release from the $uicideboy$, this time with Blink-182 member Travis Barker and some help by Munky of Korn-fame. This EP is thankfully much more focussed than their debut studio album I Want To Die In New Orleans and I’m pleased to […]
From ex-Punk band The Beastie Boys (and Def Jam bandmates Run DMC) shouting their rhymes into the mic to Onyx and M.O.P. building on this style by yelling their violent lyrics over hardcore beats, an element of Rock has always been present in Hip-Hop music. Artists ranging from […]
Devised as a multi-act album similar to Tonedeff’s Polymer or Bishop Nehru’s Elevators, Denzel Curry’s third album TABOO (spelled TA13OO) is a fantastic listen, in fact I am pleased to report that this album for me, is Curry’s best release yet. TA13OO is a 13-track LP split into […]
As someone who has been critical of A$AP Rocky’s previous albums, not to mention his complicity with casual racism, I have to give respect when it’s deserved. With his third studio album Testing, Rocky has finally made an LP that flows well from beginning to end, taking the […]
Contemporary Hip-Hop is primarily focussed on Trap and because that particular sub-genre has been dumbed-down to the point of banality, the majority of consumers seem content with listening to contrived raps laid over contrived production. It’s strange that people can’t seem to differentiate between the dull shit and […]
Similar to Mafioso Hip-Hop’s hackneyed sound in the 2000s, Trap music in the 2010s is fast becoming an unoriginal and banal style. Having said that, every time an artist breaths new life into this derivative sub-genre, they reinvigorate it and help it live for a few years more. […]
These days if someone criticises mainstream Hip-Hop they get labelled an elitist, but what these people don’t seem to understand is that when someone speaks ill of contemporary rappers, they’re being critical of the individual artists not the sub-genre itself. If someone doesn’t like Chief Keef for example, […]
This time last year, arguably one of the greatest works of musical satire was released, but peculiarly it wasn’t acknowledged as being the razor-sharp take-off it so obviously was. For a long time now, it seemed that amidst the commercialisation and corruption of Hip-Hop culture, nobody was putting […]
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